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I wouldn't have thought to look into this. Unfortunately, I use windows but there's probably some parallel feature. Mouse Keys is an interesting thing to explore, which is fabulous. It also will do a double-click when you press the "5" numeric pad key two times very quickly, and there is a parameter for setting the double-click recognition speed.

It only moves the mouse pointer and emulates a "mouse single-click" when you press the "5" numeric pad key. On the Mac, it provides a way to reposition the mouse pointer and it is independent of the standard "arrow" keys. There might other ways to do this, but this is the only one I was able to find. If you are doing digital music production in the Windows universe, there probably is a similar accessibility feature in Windows. There is an option that makes it possible to activate or to deactivate Mouse Keys, and you can use the mouse when Mouse Keys is active. You can adjust the speed and acceleration of the mouse pointer, and at faster and more rapid settings this works nicely for moving from one staff to another, but it is not the same has having a simple shortcut for moving up or down by one staff. On the Mac, you can use the "Mouse Keys" feature in "Accessibility" to control the mouse pointer with the numeric pad of your Apple Keyboard with Numeric Pad, noting that this is done with the numeric pad rather than the numbers on the alphanumeric section of the keyboard. It would be really useful for working out counterpoint too. When working with multiple voices on the grand staff, it would really speed up my work flow if there is a keyboard shortcut to go up to the treble clef, add some notes, then jump down to the bass clef to add the lower parts. I'd prefer to stay on the keyboard instead of using the mouse. When in editing mode (CTRL E), the up and down arrows do not move between staves. Its an editing function for note input, rather than a score setup issue. Fugubot wrote:Actually, i want a keyboard shortcut to move TO the staff above or below, not to move the staff itself.